• Login
    • Login
    Advanced Search
    View Item 
    •   UoN Digital Repository Home
    • Theses and Dissertations
    • Faculty of Arts & Social Sciences, Law, Business Mgt (FoA&SS / FoL / FBM)
    • View Item
    •   UoN Digital Repository Home
    • Theses and Dissertations
    • Faculty of Arts & Social Sciences, Law, Business Mgt (FoA&SS / FoL / FBM)
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    New Media and the Creative Sector in Kenya: Intellectual Property Challenges & Implications

    Thumbnail
    Date
    2009-10
    Author
    Kiiru, Eva W
    Type
    Thesis
    Language
    en
    Metadata
    Show full item record

    Abstract
    The changing business environment, with specific regard to changes in communication technology brought on by the Internet, encourages and facilitates the emergence of global business, transnational companies and the emergence of common markets around the world, and in Kenya. The rising density and sophisticated nature of interaction between the worlds of art (and/or culture) and new media calls far a radical rethink on the frameworks that govern these interactions. It is a widely acknowledged fact that creators draw upon a wealth of pre-existing material in developing new works. Access to and availability of a robust public domain is critical to the creative process. A lot of debate and heat hasbeen generated globally on both sides of the issue of the impact that new media technologies have or are likely to have on the cultural heritage of communities in the global south. Somewhere between the extreme ends of cultural expropriation (the commodification of a peoples' cultural wealth for the economic benefit of others) occasioned by the emergence of digital technologies on the one hand, and the complete walling off of a rich body of cultural heritage, lies a path to a robust creative commons that the researcher believes can best be charted by copyright law. It is imperative that persons or communities who invest their efforts and skill in the production of intellectual property creations should be able to exercise some control over their use. One of the central questions of this study is how copyright which is in the current age primarily held by Western corporations, and, to a lesser degree, individuals in Western countries, can be reoriented to serve the interests of creators in the poorer Southern hemisphere countries. The researcher thus discusses the importance of copyright law to communities in Kenya and the global south generally in the growth ofthe cultural and creative economics within a new digital world.
    URI
    http://erepository.uonbi.ac.ke:8080/xmlui/handle/123456789/53051
    Citation
    Master of Arts Degree in Communication Studies
    Publisher
    University of Nairobi,
     
    School of Journalism
     
    Description
    Research Project Submitted in Partial Fulfillment of the Requirements for the Award of Master of Arts Degree in Communication Studies to the School of Journalism and the Committee on Graduate Studies of the University of Nairobi
    Collections
    • Faculty of Arts & Social Sciences, Law, Business Mgt (FoA&SS / FoL / FBM) [24587]

    Copyright © 2022 
    University of Nairobi Library
    Contact Us | Send Feedback

     

     

    Useful Links
    UON HomeLibrary HomeKLISC

    Browse

    All of UoN Digital RepositoryCommunities & CollectionsBy Issue DateAuthorsTitlesSubjectsThis CollectionBy Issue DateAuthorsTitlesSubjects

    My Account

    LoginRegister

    Copyright © 2022 
    University of Nairobi Library
    Contact Us | Send Feedback